I am pleased to inform you that in one week from today I will have my dream Eurorack system almost completely assembled
It's a "Mostly Mutable" system, which I've been trying to put together since forever ago. Now that Emilie is getting out of the game, I've decided it's now or never, so I've sourced 208hp (in two rows) of Mutable and XAOC gear.
It'll be sequenced by Marbles and Frames, modulated by Peaks, Tides, and Batumi (with Poti), voiced by Plaits, Braids, and Rings, and effected by Beads, Clouds*, and Kamieniec, with Maths, O/A/x2, and Out v3 assisting with various functions.
This is a big milestone for me, because I sold off _all_ my Mutable modules and most of my modular gear when my father died last year. I lost my ability to create and blamed it on my gear when, well, there's a much more obvious reason.
But I'm back, baby!
It's a pretty "modey" system; Batumi, Clouds, Rings, Plaits, and Braids are all very much N-in-1 modules, which means that it's sort of meta-modular. Each patch will involve selecting which instruments I want to use, both by patching and by setting modules' modes.
Lots of fun secrets hidden in these modules, too, like Kamieniec's built-in LFO stage which can just be used as a normal LFO.
Oh, also worth mentioning Ripples! It's my favorite filter of all time, and I'm going to have _both_ v1 and v2. Ripples is a gorgeous synth all by itself - you can self-patch FM, play it like an oscillator, and more - but with two of them and a phase rotator in Kamieniec, I'm going to have tons of fun just building self-playing all-analog patches.
@tindall i feel like i get a lot of what maths does for people from my stages
they're not comparable apples to apples, but they both have that fun design that rewards creative patching